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ANALOGUE PHOTOGRAPHY & HOW IT HELPS ME CONNECT.


Style. Beauty. Authenticity. The unexpected.

If I’m not playing with at least one of those things in my photography and/or business at least once a week then I get jittery. Seriously. And I’m not talking something like coffee jitters, you know. It’s worse. Like a chunk has been taken out of my soul.

When that happens I need to shake the shackles off and make a stance for my creativity. That’s the way I keep going. So I find ways to experience one or more of those elements I’ve listed above through small acts of rebellion (SARs).

Take this little bunch of pics here. All shot over a month ago on a camera that uses FILM. Remember that stuff?

I think of analogue photography and the photos themselves as SARs.

Why?

Well the image/outcome can’t be the only thing I’m focused on, even though it does take up a huge part ofย  my attention. It’s the process as well. It has to be. It can’t be product product product all the time. Like the old adage says it’s not the destination, but the journey that’s important. For me, it’s taken a bit of time to understand that.

Which is also happens to be part of my point.

Time. Patience. Slowing down a bit. Breaking out from the digital treadmill. It runs against the grain these days. We’re often made fearful that we might ‘miss’ something or not be cutting edge enough if we haven’t for example sprung something new on social media in the last hour.

It makes sense to my creativity to throw into my photographic mix the discipline of slowness when I need it. Taking my foot off the photographic pedal. Allowing a whole month from the shutter-press to the point of editing and publishing personal photos (good or bad) is a small act of rebellion.

And what does that rebellion lead to? Fruit. Maybe not always immediate or ‘commercial’ fruit. But other kinds. In this here picture-monger it creates excitement, inner space and a greater awareness of the world around me and what I’m doing in it. Which photographically and creatively has to be a good thing.

And in this case there is also the greater appreciation of the medium itself: film, film cameras and all things analogue photography. Go get an old camera and walk out with it. It’s amazing how many conversations start because of this old contraption slung over my shoulder.

Then there’s the film ‘X’ factor.

Maybe you can’t see it in the pictures. I hope you can. Maybe it’s so sublime as to be like a breath of wind across the back of your hand. There is a depth and richness that comes from film (I want to say the word like I might say “ice cream” – playing it round my mouth, tasting it). The images are that much more sensual than the digital equivalent.

I’m often battling on the front between two forces: creativity and commerce. When they’ve signed their peace treaty and are working hand in hand that’s an amazing place to be. More often than not though, they are dividing their territories and building defences. Slowing down in this way actually helps them both come to terms with each other. Plus I have time to learn more about myself and my craft which soothes the creative beast in me and at the same time provides fuel for better photos (my products) for clients.

The business of making and creating is often conducted through a ‘cloud of unknowing’. Walking blindly in the cerebral dark guided by a tiny whisper of light in the guts, with limited conscious understanding of where you’re going. Yet knowing that you have to go, whatever. It’s the kind of place that, like a rebellion, lacks a sense of control. A place I’m hoping will always be a frontier of change.

If you’re interested, my ‘museum pieces’ are a Mamiya C220 TLR with 80mm lens and a Mamiya 7 with a 65mm lens. They help keep me sane.

I think of all of this a bit like this song by Parov Stelar – it’s kind of old and yet at the same time it very much of today as well. Have a listen and you’ll see what I mean.

All photographyย ยฉ James Bellorini 2015. All rights reserved.

James is an editorial and documentary photographer working for the commercial and consumer markets. He started shooting professionally in 2013 and has since worked with advertising agencies, design agencies, entrepreneurs, performers, musicians, DJ’s, singers, models, and culture and entertainment organizations/brands. Recent clients include: Innovision, UKTI, Siren Design, Glyndebourne Productions Ltd, Stone Nest, The Old Vic etc.